Those who have been paying attention have come to see that 2011 is sort of
The Year of the King Kill. The symbolism has played out
over and over with Giffords and Osama and Gadafi and on and on.
There is also a more playful sync way of looking at it, that would have the 11 become "K" (since K is the 11th letter of the alphabet). That would give us 2K or KK for KingKill.
2K is also 2000, a number and date we saw a lot 12 years ago with the Y2K craze. Of course, Y2K turned out not to be the big story... the next year, 2001, was.
So, if 2011 is also a Year:2K, does that mean for our next year? What is in store for 2012?
I don't know. That's not what we're here for today.
There are so many things I've wanted to write about lately, but things are super super busy right now and it is getting hard to find the time for everything. However, I thought I could share something fairly quickly that popped into my head the other day. While doing something unrelated, somewhere in the back of my mind I was lightheartedly pondering some of
Downard's KingKill33 material -specifically the masonic themes of JFK's assassination.
For the record, I agree that the Masonic themes are there, I just don't think they represent (or solely represent) a human conspiracy. Based on my work and experience with sync, I tend to think they are present because they represent the basic constructs of our fractal/holographic reality that the Masons and other various mystery schools were tapping into and attempting to map out. Again, this does not exclude conspiracies, but rather looks at the bigger picture (one where conspiracies are but one part of a much larger puzzle).
Anyway, what occurred to me was that this same Masonic interplay can be found encoded into another KingKill, that being the assassination of Lincoln by John Booth.
Not only are his initials JB, as in Jachin and Boaz, but his middle name (all assassin's get focus on their middle name, right?) is Wilkes, making him JWB. This encodes the 3 pillars of the first degree tracing board: often remixed as Justice (alternately Strength or Severity), Wisdom, and Beauty.
As a side note, completely apropos of nothing, the same JWB (or JBW) can be seen as the doctor that (essentially) sends Dorothy back to Oz (
Oz=77=GG=Gabby Giffords) in
Return to Oz. ...Insert all your Disney=Mason and Oz sync connections and all the rest here. You know what I'm talking about. PS: Don't forget Gabby's own Masonic connections,
what with her opening the Masonic time capsule.
Anyway, back to John Wilkes Booth. Interestingly, Booth not only has the 3 pillars encoded into his name, he also strikes out at the emperor who sits between the two pillars.
the Emperor is the W (or
Dubya)
For us here on this blog, we can't talk about the KingKill without talking about Gabby Giffords. She herself was the High Priestess sitting between the twin pillars, and at the time JLL shot her, he also shot and killed
Judge Roll, who Eleleth has interpreted as representing the Rolled up Law that the High Priestess holds.
As above: Gabby Giffords (GG=77) between the pillars, with the Judge Roll.
So below: the 777 between the pillars.
I was talking about the Giffords shooting recently on
Mike Clelland's podcast. When I posted that conversation on the Sync Book FaceBook page (which you should be
following since it has 20-something of the authors posting there regularly and is all sorts of awesome, hint hint)...
...Kyle Hunt shared this
link to a site aiming to expose the assorted people involved in the media hype surrounding the Giffords shooting as paid actors in an elaborate hoax.
Seeing this story, I can't help but find it interesting on a conspiratorial level, and yet find myself much more drawn to the super syncy other level. I mean, really? Actors? Why wouldn't that make a strange sort of sense? John Wilkes Booth, the living archetype of the 3 pillars that the Giffords tale also encodes, was an actor...
...and he Killed the King at a theatre.
Booth then jumped from the President's box to the stage, where he raised his knife and shouted "Sic semper tyrannis" (Latin for "Thus always to tyrants", attributed to Brutus at Caesar's assassination and the Virginia state motto)
On November 25, 1864, Booth performed for the only time with his two brothers, Edwin and Junius, in a single engagement production of Julius Caesar at the Winter Garden Theatre in New York. He played Mark Antony and his brother Edwin had the larger role of Brutus in a performance acclaimed as "the greatest theatrical event in New York history". The proceeds went towards a statue of William Shakespeare for Central Park, which still stands today.
Of course, Shakespeare, who wrote: All the world's a stage, And all the men and women merely players
